Next Section Director's Influence Previous Section Character List Buy Study Guide How To Cite in MLA Format Delaney, Darby. In addition to Bicycle Thieves, he had supporting roles in Campane a martello (1949) starring Gina Lollobrigida and The Affairs of Messalina (1951). Gino Saltamerenda had a short yet productive career. I need you.” Carell acted for about 10 years, followed by a fruitful screenwriting career, with credits including Love and Trouble (1958) starring Marcello Mastroianni and Carnal Circuit (1969) starring Dorothy Malone. Carell asserted that she was not an actress, but De Sica said, “The cinema needs you, your face. So, you are an ex-bike thief from London When and why did you begin stealing bikes I started stealing push-bikes when I was 16. Carell was a young journalist set to interview De Sica, who insisted that she take a screen test for the role of Maria. Like Staiola, Lianella Carell was fortuitously cast for her immediate visual appearance by De Sica. He appeared in some other films, namely The Barefoot Contessa (1954) starring Humphrey Bogart and Ava Gardner, but he became a math teacher in adulthood. Once Staiola arrived at the auditions, De Sica said, “He’s the one,” and Staiola received the part without ever having to audition. De Sica was the one following Staolia, and he purposely set up auditions for the role of Bruno near Staolia’s house. He ran away because the city was dangerous at the time and child kidnapping rates were high. The tendencies they signaledones soon fused into a singular. Though separated by World War II, the two movies symbolize the cardinal impulses that came to captivate serious audiences, critics, and filmmakers after the war. Instead, she acts rationally and sells their sheets to repossess the bicycle. Viewed in retrospect, much of modern cinema can seem to flow from twin fountainheads: Orson Welles’s Citizen Kane (1941) and Vittorio De Sica’s Bicycle Thieves (1948). While Antonio does not have a bike when he receives a job offer, Maria does not succumb to the seeming hopelessness of her husband’s predicament. In an interview with the Criterion Collection, Enzo Staolia remarked that a car followed him around Rome when he was a young boy. As Antonio’s wife, Maria is a reasonable, pragmatic presence throughout her small role in the film. His performance in The Bicycle Thieves catalyzed Maggiorani’s career, and he went on to star in several Italian films, although these roles never matched the success of his celebrated role as Antonio. He was a factory worker personally chosen by De Sica because his physique-a tall, angular frame and sunken cheekbones-evoked the disposition of an ordinary, unsophisticated man and thereby made him an ideal choice for Antonio. Like many of the cast members of Bicycle Thieves, Lamberto Maggiorani was not a professional actor.
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